Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama merely from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar effect: it’s a film about sex work that features no sexual intercourse.
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Yang’s typically set however unfussy gaze watches the events unfold across the backdrop of nineteen fifties and early-‘60s Taipei, a time of encroaching democratic reform when Taiwan still remained under martial legislation and the shadow of Chinese Communism looms over all. The currents of Si’r’s soul — sullied by gang life but also stirred by a romance with Ming, the girlfriend of 1 of its lifeless leaders — feel countrywide in scale.
Its legendary line, “I wish I knew how to quit you,” has because become one of several most famous movie prices of all time.
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
Montenegro became the first — and still only — Brazilian actor being nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching yet never saccharine, Salles’ breakthrough ends with a fitting testament to the idea that some memories never fade, even as our indifferent world continues to spin forward. —CA
The movie is often a peaceful meditation on the loneliness of being gay within a repressed, rural Culture that, while not as high-profile as Brokeback Mountain,
The very premise of Walter Salles’ “Central Station,” an exquisitely photographed and life-affirming drama set during the same present in which it absolutely was shot, is enough to make the film sound like a relic of its time. Salles’ shesfreaky Oscar-nominated hit tells the story of a former teacher named Dora (Fernanda Montenegro), who makes a living composing letters for illiterate working-class people who transit a busy Rio de Janeiro train station. Severe along with a bit tactless, Montenegro’s Dora is far from a lovable maternal figure; she’s quick to judge her clients and dismisses their struggles with arrogance.
These days, it may be hard to independent Werner Herzog from the meme-driven caricature that he’s cultivated Because the accomplishment of “Grizzly Person” — his deadpan voice, his love of Baby Yoda, his droll insistence that a chicken’s eyes betray “a bottomless stupidity, a fiendish stupidity… that they are the most horrifying, cannibalistic, and nightmarish creatures during the world.
(They do, however, steal one of many most famous images ever from one of the greatest horror transgender porn movies ever in the scene involving an axe and a bathroom door.) And while porngames “The Boy Behind the Door” runs away from steam a tad during the 3rd act, it’s mostly a tight, well-paced thriller with terrific central performances from a couple of young actors with bright futures ahead of them—once they get away from here, that is.
” It’s a nihilistic schtick that he’s played up in interviews, in episodes of “The Simpsons,” and most of all in his have films.
In “Odd Days,” the love-Ill grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism around the blackmarket, becomes embroiled in a vast conspiracy when among his clients captures footage of the heinous crime – the murder of a Black political hip hop artist.
Possibly it’s fitting that a road movie — the ultimate road movie — exists in so many different iterations, each longer than the next, spliced together from other iterations that together create a sense of a grand cohesive whole. There is beauty in its meandering quality, its aim not on the type of finish-of-the-world plotting that pornography videos would have Gerard Butler foaming within the mouth, but on the convenience of friends, lovers, family, acquaintances, and strangers just hanging out. —ES
Ionescu brings with him not only porn photo a deft hand at functioning the farm, but also an intimacy and romanticism that is spellbinding not only for Saxby, nevertheless the audience as well. It is really truly a must-watch.